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MUSICAL AUTOBIOGRAPHY

Welcome to my musical autobiography!

 

It's written in lieu of "About", "Gallery", "FAQ" - and other commonly found website pages, and I've thoroughly enjoyed writing it.

 

Although it's a "musical" chronicle, I occasionally touch upon personal events to answer common questions, like "When did you learn to play piano?" Otherwise, I steer clear of my personal life to stay on topic.

 

You'll see photos and newspaper clips, old and new - and find lots of stories about incredibly positive times and experiences, but some too of disappointment and disillusionment.

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You'll also discover I've played thousands of gigs in hundreds of venues, and why I'm enjoying performing today, more than ever before.

 

As a musician and entertainer, I also hope you'll find my musical journey - entertaining!

 

Cheers,

Geoff B

RESOURCES

It's bewildering to me now, but every 6 months from my first professional gig in 1980, through to 31 December 1993, I kept a record of every venue I performed at, the date first played, and how many times the venue was played. Why? I don't know, perhaps some psychological foible, but I'm sure glad I did. Without my extensive records, piecing this musical chronicle together accurately, would have been near impossible. But now, I wish I'd gone even further, noting the capacity by which I performed (i.e. was it solo, duo or in a band), and the last date played. The calendars from which my 6-monthly updates were derived are long gone, and my memory is sometimes crystal clear and other times sketchy. So, it's very likely I've categorised some gigs incorrectly (e.g. I think I performed solo at a venue, but maybe it was in a duo?). Generally speaking, the record is fairly accurate. I kept no records in 1994 and 1995, so my memory is relied upon entirely during this period, after which I took my very short, 28-year break from the industry. Since my return to the music business in 2023, my record-keeping has resumed.

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At Jerry Boams Bar 1984

2023 to 2024 - GEOFF B MUSIC AND ENTERTAINMENT

UNDER CONSTRUCTION - COMING SOON

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Geoff's Back!

1995 to 2023 - A SHORT BREAK

A great song by Kevin Johnson is "Rock & Roll, I Gave You All The Best Years Of My Life". It's a story I can really relate to, and although it ends differently to my story, I know Kev was just taking a short break too. The catalyst to my pause happened in 1995, when David Priori, a Gold Coast agent and piano man, called to offer me a gig. The fee he offered was, shall I say, not attractive. And so I took the opportunity to inform Dave, that he should not bother calling me again, unless the amount on offer was at least a certain figure. I was politely informed that I had just priced myself out of the market. And I politely retorted that I couldn't care less. Music had been my greatest love and constant companion through good times and bad, but my musical aspirations and dreams were torched, my passion extinguished, and my focus was already on new goals. It was time to take break from the music industry. Fortunately, it turned out to be only a short, 28 break. Question: What did you during these years? Answer Part 1: I worked in real estate, mortgages and mortgage software. Then my wife, Kiki and I, ended up owning and operating a successful guest-house on the Gold Coast for 10 years, through until 2021. Answer Part 2: When Covid arrived, it hit the tourism industry for 6, and we lost a squillion as we were dispatched over the boundary fence. We suddenly had no guests, but we did have Job Keeper payments and a mortgage holiday. So on the bright side, we enjoyed a wonderful time living alone on a beautiful acreage property for several months. Zoom out: We closed the business, sold the property, paid out of the mortgage as the sharks circled (phew!), repaid all guest deposits (ouch!), and drove around the country for 6-months (yay!). Back home on the Gold Coast in late 2021, Kiki went back to work, while I renovated our unit (i.e. I acted as labourer for my father-in-law, who ran the project and me). Then I gratefully accepted the position of house-husband. I was experimenting with recipes, cleaning and washing, growing herbs and vegetables, fixing my technique at the boxing gym - taking lovely strolls on Burleigh beach. Sharing my wisdom with friends and family. Awesome really, but nothing lasts forever, and unfortunately, Kiki couldn't keep us in the style to which we'd become accustomed, so I needed to contribute something more than great lettuce and chillies. I suppose I could broker mortgages? But, then again, I'd rather poke my eye out with a microphone stand. And then it hit me like a rhythm stick! I wanted to go back to my trade as a musician and entertainer. Not with any lofty aspirations of fortune and fame, but simply to have a bloody-good time playing and travelling - entertaining people! Making people happy - dancing, singing and laughing! I just wanted to have fun with friends, old and new! Simples! Music and entertainment was calling me again. It was 2022 and I was ready to re-enter the music industry. But would the music industry be ready for me?

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Kiki and I at Nature's Window (WA) during our roadtrip around Australia

1988 to 1995 - GEOFF BARRY (SOLO)

UNDER CONSTRUCTION - COMING SOON

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Promotional Photo 1990(ish)

1987 to 1990 - BARRY CUMMING BAND & LOST IN SPACE (DUO)

UNDER CONSTRUCTION - COMING SOON

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Barry Cumming Promotional Materials

1986 - NEW RELATIONSHIPS - THE FAIRSTAR / THE BOURBON & BEEFSTEAK

The Fairstar - 1986 to 1992 (50+ performances) Jeff Camilleri (no relation to "Joe") called me in the last days of April 1986. We didn't know each other, but someone referred me, and he urgently needed a keyboard player/vocalist for a 4-piece rock band on "The Fairstar". Awesome, but here's the thing, the ship was departing in just a few days’ time. Could I do it on such short notice? Of course I could! The next day, when I first I met Jeff, he came to my place to see what songs we could cook up between us. Jeff was an extremely talented singer and guitarist. Our very different styles somehow complemented each other, and we brought it together with remarkable ease. So on 3 May 1986, I was suddenly working at sea; which was also my first ever time on a cruise-ship. The band also included Chris Doyle on bass, and Tony Doyle on drums (not related to each other), both very proficient musicians and all-round good guys - and we played in the Zodiac lounge. I don't recall us having a name, so it was probably the "Zodiac Lounge Band" or some other name lacking imagination that management assigned. We were also required to play at a couple of black-tie, cocktail functions per cruise (e.g. Captain's Cocktail Party - as per the photo of us). Such was the band's versatility that we adapted without fuss. It was 2 or 3 back-to-back cruises, but despite having a really fantastic time, I had important matters at home, so couldn't sail on. And I met other great muso's on The Fairstar too, such as the orchestra bass player, Steve Morgan, who subsequently joined Icehouse. At a later time, Steve became the musical director for "Hair" in Sydney, and offered me a job playing. I couldn't take it - such a shame. Sitmar sold The Fairstar to P&O, and soon thereafter, Jeff Camilleri and I returned to the ship as a duo, calling ourselves "The Good Catholic Boys". However, our name was rejected by the Cruise Director, and we were issued some other name lacking imagination. Now, in 2024, Jeff and I are back together again in a country band called "The Good Ol' Country Boys" - Yee-hah! I was keen to call us "The Good Ol' Catholic Boys", but no - still too controversial as it happens? I was also fortunate to perform on The Fairstar as a solo artist on at least a couple of occasions. All up, I probably only did 7 or 8 cruises (i.e. total sum of band, duo and solo cruises) - great times. Jeff and I remained firm friends - as we are today. As solo artists in the late 80's and early 90's, we referred many a gig to each other. If I was unavailable, it was always "Call Jeff Camilleri" and visa-versa. We even shared a residency on Sundays at the Five Dock RSL (i.e. alternate Sundays). The Bourbon & Beefsteak (Kings Cross - 1986 to 1993 (120+ performances) I've played at the Bourbon & Beefsteak ("The Bourbon") in Kings Cross ("The Cross") more than any other Sydney venue, so I think it's worthy of its own section here. It was aboard the good ship, Fairstar, that I met an exceptional cocktail pianist by the name of Ian Mason (aka "Mase"); who could play just anything. Mase lived and worked on The Fairstar for over 20 years, and could often be found in a quiet bar, sipping on a XXXX beer, which he affectionately referred to as "Banana Juice". Anyway, it was Mase who knew Bernie Houghton, the owner of the iconic Kings Cross bar, known simply as "The Bourbon" to Sydney-siders. He told me to go to the Bourbon and "Tell Bernie that Mase sent you." The Bourbon was a beautiful American bar, all brass and polished dark timber, with quirky, but tasteful, knick-knacks everywhere you looked. It was world famous. And as luck had it, Bernie was there when I popped in. Having mentioned Mase, Bernie asked if I'd like to play something for him. So I jumped on the goanna and played him a couple of numbers, and he was thankfully, impressed. Bernie told me he often needed someone to play during the day, particularly when US war ships were in town, when American sailors were there, splashing their cash. At the next such opportunity, he would call me. And before you know it, the phone rings and it's Bernie, and I hear a thick Texan accent say something like, "Partner, can you come in today? There's a ship in town". "Can do, Partner!", and my first of many such gigs was on 29 September 1986. Back in the day, the Cross itself was the only place open in Sydney after midnight, so if you wanted to ride-on, that's where you went. People converged at the Bourbon from every direction of the vast metropolitan area, because the Bourbon was the classiest and safest bar in the Cross. I often played late into the night at the Bourbon, where I also enjoyed "Residencies" from time to time (i.e. I played on the same day and time every week - ongoing). Yes, I saw some "things", and met some "very interesting people", but security didn't tolerate much. It was a very good place to play and work. The Bourbon had a great culture, and I have very fond memories of Bernie and his team, who always looked after me. Bernie, himself, had an apparently colourful past and an underworld reputation, but I can only say good things about him. He was kind, respectful and offered valuable, fatherly-type advice from time to time. I received a Christmas card from Bernie every year until he passed away in 2000. At some point, the Bourbon was gutted and made-over. The result was horrendous (in my opinion), and Bernie would have been rolling in his grave. As far as I'm concerned, the soul of the Bourbon sailed on with Bernie. The Bourbon is no longer as the site was sold to developers in 2019. Good!

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L-R: Jeff, Tony, Chris and Geoff B

1984 - COOL BANANAS

Venues Performed (50 performances) Telford Hotel (Bathurst) / Telford Hotel (Alice Springs) / The Resort (Surfers Paradise) In January 1984, the remaining members of "The Prohibition" (i.e. Robbo and me - the frontmen), needed a band, because we had a couple of months’ worth of gigs booked with Telford Hotels through well-known agent, Harry Widmer. We were to play two warm-ups in Bathurst, then fly to Alice Springs for 4 weeks, and on to Surfers Paradise for 4 more. Like the "Blues Brothers", we were on a mission from God! Well, not exactly, but He must've been on our side, because somehow we recruited Geoff Rosenberg, former bass player for the Eurogliders, who recruited his great mate and incredible drummer, Paul Westlake. Likewise, ex-Ayres Rock guitarist, Phil Stone, was in, along with his keyboard player and friend, "The Fish". Bathurst is a vague memory, but Cool Bananas performed its first gigs there on 18 and 19 January 1984. We then flew to Alice as scheduled, played 6 nights a week for 4 weeks, the first of which was on 24 January. Like clockwork, off we went to Surfers Paradise for another 4 weeks at 6 nights a week, starting on 12 March. And that's all folks! I remember having a pretty great time playing with this highly talented group, but the ride was over. I think Geoff R and Paul had already arranged to join another band upon fulfilling their commitments to our tour. Interesting that the newspaper photo still had us as "The Prohibition". I'm really not sure why, but perhaps the original contract had the old band name and it somehow found its way into the marketing? Story: Phil rang me up one day and asked if he could borrow a microphone. I said "Sure", so he came straight over to pick it up. I asked him why he needed the mic, and he said Daryl Braithwaite was doing some 4-track recording at Phil's. I asked where Daryl was now, and Phil said, "He's sitting on my bed, waiting for me to come back to record." This was prior to Daryl's comeback - he'd really hit the skids. But still, I couldn't believe a legendary singer like Dazza didn't even own a microphone - wtf?

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L-R: Phil, Paul, Robbo, Geoff B, The Fish, Geoff R

1983 - MICROWAVE / THE PROHIBITION

Venues Performed (Microwave: 25+ performances / The Prohibition: 30+ performances) Georges River Sailing Club (Sandringham) / Peakhurst Inn / Forbes Inn / King Arthur's Court (Kings Cross) / Seabreeze Hotel (Blakehurst) / Epping Hotel / Musician's Club (Surrey Hills) / Blades (Manly) / Scandals (Campbelltown) Chris Falson, guitarist and roommate from "Bawdy Bills", came from a very musical family. His father, Ron, was one of Australia's most respected jazz musicians, who performed with everyone who was anyone, including Frank Sinatra and Sammy Davis Jnr. Chris was technically amazing, sang much better than he believed, and could write all the little black dots, otherwise known as music charts. One of his two musical sons is Sam Sparrow, famed for the hit, "Black and Gold". Anyway, Chris and I briefly played together in a duo named "Microwave" (poking fun at the "New Wave" genre of the day). We debuted at The Georges River Sailing Club in Sandringham on 12 March 1983. From the date recorded, it must’ve been whilst we were home briefly from the "Bawdy Bills" tour, which came in and out from Sydney. Microwave also took a 3-piece to the Forbes Inn for a double-header in country NSW. The inclusion of Steve Gunning, drummer for the Vicky O'Keefe Band (Vicky being the daughter of Johnny), made up the trio. I'd been playing solo at The Seabreeze Hotel in Blakehurst, when in about May of 1983, the hotel owner, Gary, asked me to assemble a resident band for his hotel. The theme was a 1920's "Speakeasy", and the big-band would be called "The Prohibition". Gary would fund and effectively own the band. Opportunity knocked with cash in hand, so I recruited Chris Falson immediately, because he knew the musos we needed, and could write all the charts. The Prohibition was assembled in lightning speed, and I was joined on lead vocals by Lynn Bryant, a well-established cabaret-performer, and Robbo, an excellent soul man, who also played harmonica and percussion. And to supplement his talents, Robbo had an amazing PA! The band had other fine musicians too, including Kevin Dubber, who played the amazing trumpet part for Midnight Oil's "Power & The Passion". So on 25 June 1983, to much fanfare, we debuted at the Seabreeze! However, after a couple of great opening nights, the crowds didn't come back. Gary quickly lost enthusiasm for his Speakeasy, or rather the cost of maintaining his band, and so after about a month, he pulled the pin. Without a financial backer, Lynn was released and most of the hired-guns walked immediately. But we weren't done, Chris, Robbo and I battled on, pulling together a new, 8-piece line-up that included an amazing female horn section with Sandi Evans (saxophone) and Sue Bluck (trumpet). Also in the band were Scott Johnson (drums), who later joined Rose Tattoo, Tommy Falkingham (bass), who was ex-Jimmy And The Boys, and Colin Muir (keys), who stayed on with us from the original Seabreeze line-up. In the second half of 1983, we performed regularly to huge audiences at Blades in Manly, and did gigs at the Musician's Club, Epping Hotel and Scandals, but our last gig was at the Engadine Hotel on Christmas Eve in 1983. Maybe the band had chosen to part anyway (I don't remember), but I had a deal on the table to take a band away from Sydney for a couple of months. Chris and the other band members chose to stay in Sydney to pursue other opportunities, but Robbo and I were keen to take the contract - so we did. Exit Chris Falson, who later moved on to enjoy an illustrious career in the USA. You can read about his career at https://www.chrisfalson.com/about. But it has come as a tremendous shock to discover I am not mentioned in his bio, let alone Bawdy Bill; which was surely a career highlight. Must be just an oversight - I'll let him know (yes, we are in contact, but not often).

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The Prohibition

1983 - BAWDY BILL PRESENTS, LORD NELSON AND JOSEPHINE (THEATRE RESTAURANT ON TOUR)

Venues Performed (45 performances) Penrith Leagues Club / Mario's Restaurant (Canberra) / Lismore RSL / Roma Restaurant (Taree) / Commercial Club (Albury) / Wagga RSL / Coffs Harbour Chinese Restaurant / Forbes RSL / Orange RSL / Dubbo RSL / Brewarrina RSL / Bourke RSL / Murwillumbah RSL / Narrabri RSL / Wellington RSL / Cooma RSL / Bega RSL / Balranald RSL / West Wyalong RSL / Hillston RSL / Lake Cargelligo RSL / Broken Hill RSL My first ever tour started on 13 January 1983 with a 15-show run at Penrith Leagues Club. It ended at the Broken Hill RSL on 22 April 1983. Maybe I answered an ad, but somehow I became part of the troupe, and after a couple of rehearsals, away we went. The lead actors, alongside show owner John Brownrigg (Bawdy Bill), were Gary Stamm (known for roles in "The Young Doctors" and "The Little Rascals") and Beth Herbert. The 3-piece band featured Bawdy Bill on bass, Chris Falson on guitar, and yours truly on piano/keys. The show was a breakaway from Sydney's famous, Dirty Dicks Theatre Restaurant, which to my great surprise, still operates today. [Note to self: Go and check it out.] I don't know the politics and history, but John created and operated the "Dirty Dicks" on tour version, and when the relationship between him and management soured, he went his own way. This may have also caused some legal headaches for John? Nevertheless, I remember it was a very entertaining show and we played mostly to full houses. Lots of cheeky little ditties, and every night I popped up from behind the piano to sing a limerick verse about "Lee, the plumber". It was a great experience, and I got to know my roommate, Chris, very well. After the show, we moved forward together, so you'll hear more about him if you read on. When the tour ended, I'm pretty sure the show folded. Shame really, but that's showbiz. Next!

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L-R: John, Gary, Beth, Chris and Geoff B

1982 to 1987 - GEOFF BRIEGER TO GEOFF BARRY (SOLO) / SWANEE / BOWIE STORY

Venues Performed (450+ performances) Orient Hotel (The Rocks) / Jerry Boams Wine Bar (Miranda) / Crescent Tavern (Fairfield) / Greystanes Inn / Sheila's (North Sydney) / Seabreeze Hotel (Blakehurst) / Newport Arms Hotel / Bevy's Wine Bar (Mosman) / Albury Hotel (Paddington) / Observer Hotel (The Rocks) / Major Druitt Hotel (Mt Druitt) / Freemasons Hotel (Sydney) / Mainsbridge Hotel (Liverpool) / Penrith Centre Tavern / Rozelle Hotel / Calamity Jane's (Sydney) / Lord Raglan Hotel (Redfern) / Victoria Hotel (Marrickville) / Bridge Hotel (Rozelle) / Tea Gardens Hotel (Bondi Junction) / (Spaghetti Cellar (Parramatta) / Chaplin's Restaurant (Surrey Hills) / James Craig Tavern (Birkenhead) / Concord Bowling Club / Woolwich Pier Hotel / West Ryde Hotel / George's Hideaway (Hurstville) / Eliza's Restaurant (Double Bay) / Rose Hill Bowling Club) / Henson Park Hotel (Marrickville) / Floyd's Bar and Brasserie (Northbridge) / Marino Tavern (Camden) / Liverpool Hotel / West Pennant Hills Bowling Club / Bluegum Hotel (Waitara) / Bondi Regis Hotel / Yagoona Hotel / Family Inn (Rydalmere) / Cumberland Country Golf Club (Greystanes) / Cronulla RSL / Birkenhead Hotel / Bat and Ball Hotel (Surrey Hills) / Pappy's Restaurant (Parramatta) / Sir Joseph Banks Hotel (Botany) / Marrickville Hotel / Oxford Tavern (Newtown) / Coach and Horses Hotel (Randwick) / Mercantile Hotel (The Rocks) / Manly Vale Hotel / Mount Druitt Inn / Nelson Hotel (Bondi Junction) / New York Hotel (Pyrmont) / Beuna Vista Hotel (Mosman) / Armidale University / Bourbon & Beefsteak Bar (Kings Cross) After "Whitmore & Brieger" ended in 1982, and in-between bands and shows thereafter, I was active as a solo performer and piano man. At some point during this time, I adopted the stage name "Geoff Barry", "Barry" being my mother's maiden name. Why? I was sick of people mispronouncing and misspelling "Brieger". Now, if I can only teach people how to pronounce and spell "Geoff" ;) My records show that I performed my first solo gig on 14 December 1982 at The Orient Hotel in The Rocks, where I played on 84 occasions. Most of my gigs at that time were booked by Bernie Madigan, an eccentric entertainment agent, who always had my back. With the benefit of hindsight, I very much appreciate "Mad Bernie" and his efforts more today than I did back then. Swanee Also during these years, I had a few other things on the go. I had aspirations to be a recording artist, so was writing and recording in my home studio. I'd also started recording sessions for ATA Studios on Glebe Point Road. It was owned and operated by brothers, Col Joye (Aussie pioneer singer, song-writer) and Kevin Jacobsen (Promoter). Kevin's son, David Jacobsen, had a recording band called "The Sons of Millionaire's" that I had joined, and we also recorded for Col. I remember a stoush over ethics between David and the producer of Col's latest album, because David had wiped a previously recorded piano track to replace it with mine - whoops! At one point, the artist known as Swanee, sibling of Jimmy Barnes, had a fight with his band and sacked them all, putting him in a bit of a spot. He needed a new band urgently because he was booked to support Joan Armatrading on a national tour. Suddenly, we (i.e. The Sons) became Swanee's band. From internet searches, Joan toured in 1982, so it must've been then, although I thought it had been a year or two later. Anyway, after much rehearsing and excitement, we were good to go ... but that's when Swanee and his band, made up. They were a happy family again - and we were turfed out. It was all for nothing. I was desperately disappointed, but I suppose it wasn't meant to be. Unlike David and a couple of the other players, I never was the son of a millionaire - and we drifted apart. Next! David Bowie (Story) This is just a fun-fact. I never played with Bowie, or on his tour in a support band, but if you dig deep enough, you'll find me listed as a performer on David Bowie's "Serious Moon Tour" in Sydney on either 19 or 20 November 1983. I don't know if the law still applies, but when an international artist performed in Australia, said artist was required to employ as many Aussie muso's as international ones. Bowie had about a dozen musicians in his band, and his support band, "The Models", even with a horn section that included Sue Bluck, who I performed with in "The Prohibition", was still a few players short of the quota. So Bowie paid the prescribed rate to the musician's union, who employed the musicians, one being me. The union shared the love, so I'm sure there's many others from that time who were also paid to stay away. But in my case, I went to the concert, and it was sensational!

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Me and an adoring fan

1980 to 1982 - BRIEGER & WHITMORE (DUO)

Venues Performed (200+ performances) Brewer's Elbow (Gordon) / Dolphin Hotel (Surrey Hills) / Golden Sheaf Hotel (Double Bay) / Royal Sovereign Hotel (Darlinghurst) / Rest Hotel (Milsons Point) / Five Bells Restaurant (The Rocks) / Kauri Hotel (Glebe) / Rozelle Hotel / Dr Redbirds (North Sydney) / Hero of Waterloo (The Rocks) / Observer Hotel (The Rocks) / Oxford Hotel (Darlinghurst) / Newmarket Hotel / Budgewoi Hotel / The Balcony (Jindabyne) Enter stage left - Steve Whitmore and my career as a professional musician. Steve was also from school, but a year up from me. He played guitar well and with great flair and sang in a school band of his own, but we'd only ever played together in football teams (i.e. soccer). I can't recall how our duo "kicked-off", but our first gig was on 21 October 1980 at "The Brewer's Elbow", a wine bar in suburban Gordon. At the time we got together, I was into everything from Joe Cocker and Leon Russell to Jethro Tull, and from Elvis Costello to Midnight Oil, and even Jimi Hendricks. And Steve was into an even broader range of genres, and I soon found myself playing material I never would have considered. Steve was enterprising (he got nearly all the gigs) and charismatic - and an extremely good-looking rooster to boot. The girls absolutely loved him, and our gigs were wall to wall with his admirers (and by extension, their male admirers). My boyish good looks (haha) were nothing in comparison to the rising star that was Steve Whitmore - really, you had to see it to believe it! In hindsight, I had no idea of the wave we were riding. I just thought all bands packed rooms to the rafters every time they played. Our gigs in The Rocks at the Five Bells were truly legendary. We were so successful, the dodgy owner had to eventually "can-it" because he was operating way beyond the scope of his restaurant licence; and the authorities were breathing down his neck. Eventually, we came up with a proper name "Gas Company", "Gas" standing for "Geoff And Steve", but we never got to use it. Fate intervened, and we parted company prematurely. Steve contracted a particularly bad case of glandular fever, and was out of action for an unknown while. So I sought income elsewhere, although in 1983, we did play together for a few consecutive shows in the NSW snowfields. Also around 1983, I had a very brief episode as a band manager. The band was called "Time After Time", and when the guitarist departed, Steve replaced him, which must have been my doing? The female, lead-singer soon fell in love with Steve, and I recall they became an item. Episode summary - I couldn't make a buck, for the band or me, and my short career in band management was over. Steve's still gigging today, unquestionably doing a very fine job. We're Facebook friends, but I haven't seen him for decades. Also with Steve: In 1980, Steve and I co-wrote the music and performed in the band for "The Rocks Players" season of "The Musicians", by Barry Hayes, a teacher at our former school. It was my first experience with the theatre and although we weren't paid, I loved every minute of it. Notably, one the performers, Genevieve Lemon, became a very successful actor. "Gen", who had a sweet but strong voice (and probably still does), often sang as a guest with "Brieger & Whitmore", and she was also briefly a housemate of mine. Like Steve, we're also Facebook friends.

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Brieger and Whitmore at the Five Bells

1970's - LEARNING TO PLAY PIANO / FIRST BAND PERFORMANCES

Somewhere around 1970, my brother, Chris and I, were watching World Championships Wrestling when Dad entered the room. He casually mentioned that Grandma had offered to buy us a piano - if we would learn it. And so, with nods of our young and unsuspecting heads, we returned to the entertainment provided by Mario Milano, Killer Kowalski, Spiros Arion and their esteemed colleagues. And it soon came to pass, an upright piano was there in our home. And my brother and I had apparently entered a non-negotiable agreement to learn to play said piano. So learn we did ... to hate the damn thing! All those little black dots, scales, technique, and lots and lots of boring practice. In reality, practice was probably only 30 minutes a day, but to a couple of young blokes, who were far more interested in football and cricket, it was sheer, bloody torture. If I was not inspired to learn classical music, then Chris was even more put out. Somehow, by way of whinging and whining, showing little aptitude and talent, Chris was offered a target, upon attainment of which, he would be permitted to abandon "Fur Elise". And so Chris battled on, completed the prescribed piano grade, shut the piano lid - and has never opened it again to this very day. Regrets? Nup! It may have ended similarly for me, because a clear precedent had been set, and I set forth to follow my big brother to freedom. And so it was, after some 6 years of learning classical piano, I passed grade "whatever" and was done ... or so I thought. You see, I was a rebellious, free-thinking, not shy, kind of guy. So at school in about 1976, when a bunch of aspiring rock stars needed a singer, I was somehow recruited; although it's more-likely I volunteered my services. In those days, I was into Bowie, Bryan Ferry, and bands like The Stones - but Lennon and McCartney's individual efforts were never far from my heart. That said, I only recall that "Wish You Were Here" by Pink Floyd was on the set list. And so we did a few numbers at a school thing, and I'd caught the bug! School was now superfluous. Previously a bore, it was now a complete waste of my time - and I was soon on my way to a higher calling. And it occurred to me that I could play the piano a bit, and by extension, a keyboard too. This might be useful after all? Note: It's taken me years to comprehend what the scales and keys actually meant in terms of playing popular music. Teaching myself to play Beatles songs from guitar chords was where I started, but it's a never-ending journey, a quest that continues today. My golden rule - If it sounds right, it is right! I don't always know why (theoretically). In 1977 (ish), I was more interested in being an artist, than a musician. I wrote songs, and my first post-school band was called "Mister Bliss" - and we only played original songs. Subsequently, we changed the band's name to "Enigma". We played at a few parties, but I do remember playing at the Willoughby Hotel, across the road from where we were living and smoking way too much of that wacky-tobacky. How we scored the gig at the pub in 1978, I have no idea? I was still underage and I'm sure we played for free, but we'd covered every telegraph pole in Chatswood with posters, and it really went off at the Willoughby that night. We were surely headed for super-stardom! But who would have guessed it, at some point in 1979, the band broke up and Enigma was a toast.

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Mister Bliss in action

1960's - EARLY MUSICAL INFLUENCES

Geoffrey Brieger, that's me, born in Darlo, down the road from Kings Cross, in early 1960's Sydney. My first and greatest ever musical influence was "The Beatles". I remember watching the Beatles cartoons on black and white TV, and absolutely lovin' the "Fab Four". "Simon & Garfunkel" and "Elvis" were also high up on my favourites list. My first record was "20 Solid Hits Volume II" with songs from Cat Stevens, Elton John, Jimmy Cliff, Blood Sweat & Tears, The Bee Gees and many more.

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I always liked Country music.

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